Warner Archive Instant is folding, and it proves one thing

I complained for months about the total lack of attention Warner Archive Instant's operators give it, and now we know why it has been running in fumes: Warner is giving up on it, shuttering the SVOD service that never really caught on and transferring its resources (and subscribers) to Filmstruck, which will now have a TCM Select selection and more classic Hollywood films.

As a Filmstruck subscriber (now), this is great. The service has more content for the same price, and it has Golden Age of Hollywood content that I wished it had at launch. However, allow me to throw a little cold water on the euphoric reaction this move got on social media. Yeah, it's great to see TCM Select on Filmstruck, but so far it looks like a lot of stuff I already have on DVD.

As a Warner Archive Instant subscriber, I am disappointed that the rare content on that service is apparently abandoned. I'm also a little worried at the falsehood we are already being given about all of the movies on Warner Archive Instant being on Filmstruck. Almost none of the movies I had in my watchlist are on Filmstruck. Maybe that's coming.

The big problem for me is, what is going to happen to all the TV shows? WAI has showcased many obscure and forgotten series in its short run, and many of them still are not on Warner Archive DVDs. Some of them, like my beloved Eight Is Enough and Dr. Kildare, are complete in super-expensive collections from WA. But what if someone wants to sample a series without having to pay big bucks for a complete season?

I'd love to see Hulu purchase streaming rights to some of this material, but I am not counting on it.  Here is a sampling of the vintage TV programs I enjoyed on WAI that are not available anywhere else: The Jimmy Stewart Show, Harry O (at least those two have been on TV), Search, The Eleventh Hour, The Man from Atlantis, A Man Called Shenandoah, The Practice (1970s Danny Thomas sitcom), Flo...and many more. I didn't see anyone talking about this yesterday, and I'm not surprised. It looks like the death of WAI was a self-inflicted one, as it was never available on many platforms, it was never fully supported, and it quickly fell by the wayside as subscribers realized not only was it not the TCM on Demand people  hoped it would be, but it wasn't updated regularly despite a premium cost (10 bucks a month when Netflix and Hulu were still cheaper).

I wanted to see more content and a better user interface, but I was OK with what WAI was, mainly because of the more obscure stuff that found its way on there. I think some of the movies will show up, but what about the TV? This whole thing proves that vintage television is an afterthought, and there aren't enough people who care (or who perceive that people care) to make it matter in today's streaming video landscape.

Just like some of us have lamented the lack of a TCM for television, now we can once again lack the lack of a Netflix for old TV. Filmstruck caters to the classic film lover, but what about the history of the small screen--the obscure, the short-lived, the unseen? Hulu will continue to carry the big shows of the past, but where are we gonna get the likes of Sam Benedict and Beyond Westworld?

If Warner Archive Instant goes away, at least I have this memory

Claude Rains, William Demarest, and Burt Mustin not only appearing in the same TV episode, but sharing several scenes:

I will write more about the death of Warner Archive Instant, but I am really gonna miss the rare TV like Dr. Kildare. Sadly, there isn't the level of affection for vintage TV as there is for vintage movies.

'Mooners Monday: The Loudspeaker

"The Loudspeaker" is a simple Honeymooners episode. One might even say, in the words of Ralph, it is a humble episode. It's the one in which Ralph thinks he has been chosen Raccoon of the Year and spends most of the episode preparing a "spontaneous" speech to accept.

For me, this episode has two standout attributes: First, its glimpse into Raccoon life. For example,  we learn that this prestigious honor gets the recipient and his wife burial plots in the Raccoon National Cemetery in Bismarck, North Dakota. Why, we even meet the Grand High Exalted Mystic Ruler, Morris Fink!



Show the proper respect, everyone.

The other thing I love is when Ralph gets the "hiccoughs" and Ed comes up with an idiotic scheme to cure him. He sprinkles  the rock candy he has been eating on the floor, explaining to Alice that when Ralph steps on it and hears the "foreign sound," he will be startled into losing his affliction. What a gloriously ill conceived plan. Of course, you know what happens:

One of the showcase bits in the episode is Ralph attempting to tell Alice the joke he has invented for the speech. This is one of my favorite tidbits from The Official Honeymooners Treasury:  writer Walter Stone griping about the way Gleason plays it:

We were trying to get a real bad joke and Marvin) (Marx, co-writer of "The Loudspeaker" with Stone) remembered that one from somewhere. He had used it in a similar circumstance somewhere we just built it up more.

Gleason didn't do it the way we envisioned it. We didn't want it done that badly. Just do it. Maybe in his mind he thought it was more in character that Ralph couldn't tell a joke."

Behind the Rankings: Warner Archive Instant is changing again?

I made my weekly pilgrimage to the Warner Archive Instant website to see if it added anything (the Roku version hasn't worked properly in months). and saw something interesting: a prominent banner touting an important announcement.

However, al it does is link to a single question on a FAQ/support page saying new accounts are not being accepted because:

Warner Archive is currently in the process of transitioning into a broader service, and during the transition new accounts cannot be created and certain apps may become temporarily unavailable. We will be sending out more info in the near future to all of our users about the upcoming service.

Hmm...This is the only place I have seen this, and it being WAI, there is no other info anywhere. The service has social media accounts that haven't been updated since October 22. Why not update those and include this information?

So of course all we can do is speculate as to what is going on here. I certainly hope "broader" means more value and not less (like taking away the rare TV and dumbing down the service). I think it's safe to assume Warner isn't integrating Boomerang in here since it's already a standalone deal. Could we finally get the TCM service we have craved for years? Filmstruck is TCM-endorsed, but there is room for a classic Hollywood service, and I think many assumed WAI would be that. It started out as pretty good but has been neglected for years. Of course, it remains in my rankings and in my heart because of the handful of cool TV series it streams. I am going to try to pick up my pace of watching those, and I suggest you do, too, because who knows what is next for WAI? Certainly not anyone who visits its website, Twitter feed, Facebook page, or uses it on Roky.

Streaming Video Power Rankings #100

Welcome to the 100th edition of this feature! That means that over the last two years or so, we have ranked...uh, a bunch of different streaming video channels. Let's get to this special regular edition of the rankings.

1) Netflix: I finally finished Daredevil season 1. One Marvel season down, only about, what 13 more to go! That's the thing about the Netflix originals--they don't leave on us. I have also picked up the pace on my Friends watching, though, in case it leaves before 2022.

In other news, Duncan Jones follows up his acclaimed Moon with a Netflix original movie. Hey, I never saw Moon. Maybe I will--D'OH! Not on Netflix. Figures. The creator of The Killing has a crime series that sounds a  lot like The Killing. Is that a good thing? Didn't everyone decide that show was terrible by the end? Netflix is also getting into cooking shows and reality shows, and I don't know if I like that. Sean Bean shows, like The Frankenstein Chronicles? That's a different story.

2) WWE Network: I'm about to say bye-bye to this one for a while, but I very much enjoyed it the last several weeks. I am tempted to figure out some way to have my account auto-play classic content all day so the WWE knows that there is an audience for the old territorial wrestling. Love the 80s. The original shows drive me crazy with their corporate-ness, but there is so much old footage to enjoy.

3) Hulu: I saw multiple sources this week discuss what a tremendous success ER is for Hulu. That's pretty cool, but I'm just not ready to make that commitment when I can watch a half-hour of Golden Girls, laugh, and not be depressed for the rest of the evening. I tell you, though, I keep talking to people who had no idea how much content was on Hulu. I think the billions of dollars it's spending on all this stuff is going to pay off. Probably not in billions, but in a lot of happy subscribers!

4) Amazon Prime: Hey, dozens of the Dean Martin Celebrity Roasts are on here! I continue to enjoy, and I use that word loosely, the 1970s Lucille Ball specials, and I plan to check out the just-added David Susskind interviews with Milton Berle and Dick Cavett. Oh, and more episodes of The Tick are here if you're into that sort of thing.

5) Roku Channel: Worth a slot if only for the presence of Good Times, my pick for the best "socially relevant" sitcom of the 1970s. Too bad it only has the first two seasons right now, but those are the best ones, when John Amos and Esther Rolle carried the show.

6) Warner Archive Instant: I don't know if Suzanne Pleshette was on as many episodes of Dr. Kildare as I think she was, but I don't complain when I see her. I also enjoyed a young John Travolta on a later episode of Medical Center.

(see tomorrow's Behind the Rankings post for more info on WAI)

7) Shout! Factory TV: Now that its Roku problems are over, this resumes its place as the most underrated service on the platform. Did you know the entirety of the Steve Martin TV specials box set is on here? Yet I spend time watching reruns of Starcade. I can't help it; there's something about seeing a grown-ass man compete against a little kid, even if they are "matched according to video gaming ability," that cracks me up.

8) YouTube: Every now and then I like to remind myself how useful YT is as an instructional tool. I have learned how to do so many little things on here--you know, like juggling chainsaws--but it's easy to forget that when you are having so much fun watching old promos for The Fish That Saved Pittsburgh.

9) Pub-D-Hub: The highlight this week is Make That Spare, which is a lame name even for a bowling show. Isn't the goal to get a strike? Did they ever make shows called 8-Yard Drive and Triple Derby?

10) Boomerang: I am enjoying the old 'toons, but I'm getting a little frustrated that each week the new content consists of something like Baby Looney Tunes. Let's get some more older stuff.

5Q Movie Review: The Post

This semi-regular feature returns with a look at a movie I actually saw in a theater! Hey, it's a big deal for me since the last time I saw a film on the big screen, D.W. Griffith wasn't even problematic.

With the 5Q Movie Review, I try to get the essence of what a movie is about by asking and answering the truly important questions about a film.

Q: Does Meryl Streep turn directly to the camera and say, "Get it, current administration?" and then pause for audience applause?
A: I'm not saying that Streep, who plays former Post publisher Katharine Graham, does do this, but I'm not saying she doesn't. Stick through the ending credits!

Q: Does Tom Hanks play former Post editorial head honcho guy with a rascally twinkle in his eye?
A: He sure does. Unfortunately, I don't think there is one scene of Hanks pecking at a typewriter while holding a pen or a cigar with his teeth. Not one! What a ripoff.

Hanks and Streep are entertaining, and while Streep gets the kudos, we need to salute Hanks, too, because Ben Bradlee was some kind of demigod according to the way people  talk about him.

Q: Is that--is that David Cross along with Bob Odenkirk? Does Ronnie Dobbs make an appearance?
A: I'm aware that this is an unfair question, but I must be honest. As soon as I heard Cross' voice, I chuckled that he was in the film. Odenkirk has "crossed over" in my mind; Cross hasn't. The casting of the movie in general was a little distracting, actually.

No, Ronnie Dobbs isn't in The Post.

Q: What is the history like? Is it accurate?
A: I'm no expert, but many have criticized the movie for lionizing The Washington Post and downplaying the major role played in the release of the Pentagon Papers--perhaps by far the most important role--by The New York Times.  Of course, many of those critics are people who worked for The New York Times.

Q: Are newspapers still the best?
A: Most of the actual newspapers still around are not the best, but newspapers as a thing are still the best, and it's tempting to say that I would trade the Internet to have newspapers around, thriving, and affordable. That would mean the end of this blog, though--an existential dilemma I choose not to ponder.

I am all in favor of Hollywood making a big prestige movie about newspapers every single year.

Overall, I thought the movie was a nice crowd pleaser, but I was disappointed. I am a fan of media history but thought that Steven Spielberg sacrificed some narrative power in order to serve an agenda. I don't say that from a liberal vs. conservative angle, either. I enjoyed The Post, and it made me want to read more about the time period and the events depicted, but I can't picture myself seeing it again.