Wednesday, October 25, 2017
Let's check in on Rolling Stone
Say what you will about Rolling Stone. Say what you will about puns. To me it is undeniable that "What a Foo Believes" is a superlative headline, and I am amazed the mag never used it before.
As for the magazine itself, the story isn't quite as epic as the title suggests, but it's a pleasant look at Dave Grohl (the band, too, but, face it, mostly Dave Grohl), who still comes off as the coolest guy in rock. I just wish he wouldn't smoke as much as he does while hanging out with author Josh Eells.
The highlights are Grohl's trip to Amoeba Records to get an album for his daughter, the account of Paul McCartney recording with the band, and a sincere, spontaneous reflection on Chris Cornell that happens in a quiet moment.
Rolling Stone, like so many other print magazines, is shrinking and shrinking (and, Jann Wenner concedes, is shopping for a buyer). Unfortunately, most of the "long-form" pieces in a given issue deal with politics or global warming. The curmudgeon in me thinks this is because today's music is so terrible that there just isn't enough fodder for significant coverage.
The typical formula is profile of a musician featured on the cover--alternating between hot young artist (usually hip hop or poppy female) and dinosaur rocker (I prefer the latter) and an increasingly tiny review section consisting of several pages of capsule album evaluations and maybe a page each for movies, TV, and books. The mag uses smaller features, like the back page Q&A and various sidebars and tidbits, to work in other old-school artists.
For example, Ozzy Osbourne is the subject of this issue's "The Last Word" interview. Brandon Flowers has a "Q&A." We see Randy Newman discuss "My Life in 12 Songs." All of this is pretty quick and breezy.
I hate to say this, but when an artist dies, we still get remarkable pieces. I can't wait to see the Tom Petty article. Usually a devoted dinosaur rock fan can find at least one solid profile in an issue. Overall, though, I wish that as the magazine's page count got smaller, it didn't also devote so many of its pages to non-music and cultural issues. I know that sort of thing has always been part of the mission and so on and so forth, but for me personally, I would rather read more pieces about musicians, even if it's the same old folks cropping up every few years.
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